Sony Electronics Launches the FX5 camera

Sony Electronics introduces the FX5, a new full-frame camera in its Cinema Line series. A newly developed fully stacked CMOS image sensor raises sensitivity performance with 15+ stops of dynamic range, three base ISO settings[2], and a Dual Gain shooting mode. For the first time in the Cinema Line FX series, the FX5 supports Open Gate shooting and in-camera recording in X-OCN, Sony's proprietary RAW format. It shoots 5K at up to 60 fps, 4K at up to 120 fps, and FHD at up to 240 fps. The result pairs the Cinema Line look[4] with production-ready operability in a compact, portable body. Also released are two optional accessories: a detachable OLED viewfinder and an XLR handle unit that records in-camera at up to 96 kHz, 32-bit float.

"The FX5 builds on Sony's Cinema Line expertise, praised by cinematographers and video creators worldwide," said Yang Cheng, Vice President of Imaging Solutions, Sony Electronics Inc. "We wanted to build on the FX3, taking it one step further with the inclusion of some VENICE 2 features, like internal RAW recording and Open Gate. Features like these have been highly requested and will allow creators more creative freedom with an easier workflow."

Availability and Price

• ILME-FX5 with XLR Handle Unit will be available mid-August for a suggested retail price of $5,499.99 USD / $6,999.99 CAD.
• ILME-FX5B body will be available mid-August for a suggested retail price of $4,899.99 USD / $6,299.99 CAD.

Claudio Miranda, ASC, cinematographer of films including "Top Gun: Maverick" and "F1® The Movie," conducted a test shoot with the FX5:

"I felt that FX5 is a camera that combines high quality image expression and mobility in a compact body, enabling people to use it across a wide range of shooting environments."

Gareth Edwards, director of "The Creator," "Rogue One: A Star Wars Story," and "Jurassic World: Rebirth," shot with the FX5 on a project spanning Cambodia, Thailand, and Nepal.

"Guerrilla filmmaking just went to the next level as the FX5 is the run-and-gun cinema camera to beat."

The project is available on YouTube: https://www.youtube.com/watch?v=gVFG7m_seUg

FX5 Key Features

A newly developed image sensor and the latest high-speed image processing engine

• Uses a full-frame, fully-stacked Exmor RS™ CMOS image sensor and the latest BIONZ XR2™ high-speed image processing engine with a dedicated AI processing unit.
• In S-Log3, captures 15+ stops of dynamic range.
• Three base ISOs of ISO 800, ISO 4000, and ISO 12800[2] keep noise low across a wide range of conditions. The Dual Gain Shooting function,[3] a first for the FX series, draws more from the sensor for smoother gradation and wider latitude while reducing noise and preserving shadow detail.
• Also a first for the FX series, the camera supports 3:2 full-pixel readout across the entire sensor, or Open Gate shooting[5], plus 17:9, 16:9, and Super 35mm scan modes. In-camera recording in X-OCN, Sony's proprietary 16-bit scene-linear RAW format, captures high quality without an external recorder. Alongside X-OCN LT, the new X-OCN C1 and X-OCN C2 codecs cut data size to speed transfer and streamline post-production.

High-precision AF powered by AI and detailed settings that support intentional shooting

• AI-based human pose estimation recognizes a subject's eyes, head, and body, holding strong AF performance even in dark scenes. Real-time Tracking follows subjects automatically.
• Auto Tracing White Balance (ATW) combines visible-light and IR (infrared) sensor data with deep-learning light-source estimation to read scenes accurately, giving more stable[5] and natural white balance in shade, indoors, and other conditions.
• Noise suppression settings (on/off) give flexibility to match shooting intent and post-production workflows.
• A de-squeeze function supports anamorphic lenses at 1.3x, 1.5x, 1.6x, 1.8x, and 2.0x.

Excellent operability and high mobility in a compact, lightweight body

• 5-axis optical in-body image stabilization anchors the image, and the latest stabilization unit roughly doubles the roll correction range of the previous system[6] to suppress rotational blur. Active Mode and the new Dynamic Active Mode[7] keep handheld footage steady.
• A 3.5-type, approximately 2.76-million-dot 16:9 touch-panel LCD monitor, larger than the FX3's, mounts on a 4-axis multi-angle arm. It tilts ~98 degrees up, 40 degrees down, and opens ~180 degrees to the side, with a high-brightness adjustable panel. Shooting information sits around the edges of the screen so it never overlaps the image. The "BIG6" home screen, carried over from CineAlta cameras, gathers key settings such as frame rate, exposure, and LUTs so creators can focus on the shot.
• A new menu system gives operability consistent with CineAlta cameras and the FX6 on a shared production.

High reliability and expandability to support professional production environments

• A high-efficiency cooling fan and optimized heat dissipation keep the camera stable through long recording sessions.
• The lightweight, rigid body carries screw holes in multiple locations to attach accessories directly, so you can build rigs without a cage.
• Integration with the Monitor & Control application brings video monitoring and remote operation to smartphones, tablets, and Mac.
• Uses the recently released high-capacity NP-SA100 battery (2670 mAh), which holds approximately 1.3 times the capacity of the Z-series NP-FZ100 for longer shooting.
• Two USB Type-C™ ports accept timecode input through an optional timecode adapter cable and external power through USB Power Delivery (PD),[9] for stable long-duration shooting.
• A wired LAN terminal enables remote operation and a stable network connection, with the expandability professional production networks require.

SOURCE Sony Electronics, Inc.